Garlic and Sapphires is Ruth Reichl’s riotous account of the many disguises she employs to dine anonymously.

There is her stint as Molly Hollis, a frumpy blond with manicured nails and an off-beige Armani suit that Ruth takes on when reviewing Le Cirque. The result: her famous double review of the restaurant: first she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic.

What is even more remarkable about Reichl’s spy games is that as she takes on these various disguises, she finds herself changed not just superficially, but in character as well. She gives a remarkable account of how one’s outer appearance can very much influence one’s inner character, expectations, and appetites.

As she writes, "Every restaurant is a theater… even the modest restaurants offer the opportunity to become someone else, at least for a little while." Garlic and Sapphires is a reflection on personal identity and role playing in the decadent, epicurean theaters of the restaurant world.

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The Matrix is a world within the world, a global consensus hallucination, the representation of every byte of data in cyberspace…

Case had been the sharpest data-thief in the business, until vengeful former employees crippled his nervous system. But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.

Hotwired to the leading edges of art and technology, Neuromancer ranks with 1984 and Brave New World as one of the century’s most potent visions of the future.

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Husbands and wives. Mothers and daughters. The past and the future.

Secrets bind them. And secrets can destroy them…

With the discovery of a murder at an abandoned construction site, Will Trent of the Georgia Bureau of Investigation is brought in on a case that becomes much more dangerous when the dead man is identified as an ex-cop.

Studying the body, Sara Linton—the GBI’s newest medical examiner and Will’s lover—realizes that the extensive blood loss didn’t belong to the corpse. Sure enough, bloody footprints leading away from the scene indicate there is another victim—a woman—who has vanished… and who will die soon if she isn’t found.

But the worst is yet to come. Evidence soon links Will’s troubled past to the case… and the consequences will tear through his life wreaking havoc for Will and everyone around him, including his colleagues, family, friends—and even the suspects he pursues.

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On Friday, May 11, 2001, the world mourned the untimely passing of Douglas Adams, beloved creator of The Hitchhiker’s Guide to the Galaxy, dead of a heart attack at age forty-nine. Thankfully, in addition to a magnificent literary legacy—which includes seven novels and three co-authored works of nonfiction—Douglas left us something more. The book you are about to enjoy was rescued from his four computers, culled from an archive of chapters from his long-awaited novel-in-progress, as well as his short stories, speeches, articles, interviews, and letters.

In a way that none of his previous books could, The Salmon of Doubt provides the full, dazzling, laugh-out-loud experience of a journey through the galaxy as perceived by Douglas Adams.

From a boy’s first love letter (to his favorite science fiction magazine) to the distinction of possessing a nose of heroic proportions; from climbing Kilimanjaro in a rhino costume to explaining why Americans can’t make a decent cup of tea; from lyrical tributes to the sublime pleasures found in music to the follies of his hopeless infatuation with technology; from fantastic, fictional forays into the private life of Genghis Khan to extended visits with Dirk Gently and Zaphod Beeblebrox: this is the vista from the elevated perch of one of the tallest, funniest, most brilliant, and most penetrating social critics and thinkers of our time.

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At forty-one, Vivian Armstrong Gray’s life as an investigative journalist is crumbling. Humiliated after taking a bullet in her backside during an exposé, Vivi learns that she’s pregnant, jobless, and very hormonal. This explains why she says ‘yes’ to a dreadful job covering suburban living back home in Georgia, a column she must write incognito.

Down South, it’s her sister’s ballroom dance studio that becomes her undercover spot where she learns about the local life-and where unexpected friendships develop. As she digs up her long buried roots, she starts to wonder if life inside the picket fence is really so bad after all.

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Charley Fieldner appears to have the perfect life: a well-paying job, a loving wife, two great kids, and a beautiful home. He also has a big secret.

Charley is a hitman with a huge complication—he is his own next target.

The background file contains the sort of details only someone very close to him could know. The suspect list is short but devastating: his wife, father, sister, and best friend. Charley always thought he could have it all, but the secrets, lies, and betrayals are piling up.

Charley needs time to unravel the mystery behind who wants him dead and why, but time is in short supply. Another killer has the contract. He now has a choice—roll over and die, or fight for his life.

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“Brilliant… Here is the conflict of real ideas; of real personalities; here is a work of intellectual imagination and great charity. The Poorhouse Fair is a work of art.”—The New York Times Book Review

The hero of John Updike’s first novel, published when the author was twenty-six, is ninety-four-year-old John Hook, a dying man who yet refuses to be dominated. His world is a poorhouse—a county home for the aged and infirm—overseen by Stephen Conner, a righteous young man who considers it his duty to know what is best for others.

The action of the novel unfolds over a single summer’s day, the day of the poorhouse’s annual fair, a day of escalating tensions between Conner and the rebellious Hook. Its climax is a contest between progress and tradition, benevolence and pride, reason and faith.

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Reluctantly though, her views begin to change, despite her encounters with Adrienne, a girl Riley quickly realizes is determined to make her life miserable, when she meets Alex Bettencourt. Alex is popular and gorgeous and Riley’s never seen brown eyes quite like his before.

Just when Riley thinks she might be happy in Carver, a single decision changes it all, leaving her to find out who she really is and who matters most in her life before she loses everything.

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Former sheriff’s department sergeant Jade Monroe has just graduated from the FBI’s serial crimes unit in homicide and is called to Houston with her partner, J.T. Harper, to take on her first assignment—apprehending the person responsible for these gruesome crimes.

With victims piling up and the clock ticking, Jade and J.T. need to intensify their search because there’s no sign the killer is slowing down.

After a late-night epiphany while she’s alone, Jade suddenly comes face to face with the killer, and now Jade is missing. The clock continues to tick—but this time it’s for her.

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Taking out the "marks" is something he doesn’t enjoy, but he finds it necessary: the ‘schmucks,’ the guys who shouldn’t be allowed to walk the streets free.

His "other skills" help him pay the mortgage on his bar.

But Mason makes a mistake, and the wrong person is put into danger. He’s now forced to try to make things right, even if it costs him everything.

A gritty, edgy, crime thriller with hints of humor and noir, Mark for Blood is a story about a man hell-bent on revenge – and redemption.

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