Pixel of Ink

With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Marriage can be a real killer…

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy’s diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge.

Under mounting pressure from the police and the media – as well as Amy’s fiercely doting parents – the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter – but is he really a killer?

As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?

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Nobody ever talks to strangers on the train. It’s a rule. But what would happen if they did?

Every day Iona, a larger-than-life magazine advice columnist, travels the ten stops from Hampton Court to Waterloo Station by train, accompanied by her dog, Lulu. Every day she sees the same people, whom she knows only by nickname: Impossibly-Pretty-Bookworm and Terribly-Lonely-Teenager. Of course, they never speak. Seasoned commuters never do.

Then one morning, the man she calls Smart-But-Sexist-Manspreader chokes on a grape right in front of her. He’d have died were it not for the timely intervention of Sanjay, a nurse, who gives him the Heimlich maneuver.

This single event starts a chain reaction, and an eclectic group of people with almost nothing in common except their commute discover that a chance encounter can blossom into much more. It turns out that talking to strangers can teach you about the world around you–and even more about yourself.

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Can a woman ever really know herself if she doesn’t know her mother?

Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night.

On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time — and all the way to the end. Thus begins an unexpected journey into the truth of Anya’s life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother’s life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.

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From New York Times bestselling author Catherine Ryan Hyde comes a bittersweet novel about healing old wounds and finding a new place to call home…

Roseanna Chaldecott spent her life as a high-powered lawyer in Manhattan. But when her best friend and law partner dies suddenly, something snaps. Unsure of her future, Roseanna heads upstate on one tank of gas and with no plans to return.

In the foothills of the Adirondacks, Roseanna discovers the perfect hideout in a ramshackle farm. Its seventy-six acres are rich with possibilities and full of surprises, including a mother and daughter squatting on the property. Although company is the last thing Roseanna wants, she reluctantly lets them stay.

Roseanna and the young girl begin sculpting junk found around the farm into zoo animals, drawing more newcomers—including her estranged son, Lance. He pleads with Roseanna to return to the city, but she’s finally discovered where she belongs. It may not provide the solitude she originally sought, but her heart has found room for much more.

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Detective Eve Bennet takes a steadying breath as she enters the main bedroom of the Tanners’ modest home in the tight-knit town of Hilldale.

Mrs Tanner’s high-collared nightgown and her long plaited blonde hair are soaked in blood. Next to her, Mr Tanner’s hands are clasped together in a final prayer.

Filled with dread, Eve forces herself towards the children’s rooms. But instead of two children, she only finds one. Where is the youngest daughter, Hannah? And why are there long scratches across the walls?

Eve tracks Hannah down to her uncle’s house nearby. But he won’t let her step foot in the house. Eve knows what it’s like to be held captive by a family member, and fears for Hannah’s safety. What is he terrified Hannah might reveal?

Back at the Tanner home, Eve makes a shocking discovery in the dust covered attic. Mr Tanner was hiding a dark secret from the rest of the community—the kind of secret someone would kill for.

Realizing another family could be in danger, Eve runs from the house and stumbles into the path of the one man she spent years trying to forget— and he won’t let her get away this time. Can Eve escape the evil that has haunted her whole life? And will she catch the killer before another innocent family is murdered?

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Three couples rent a luxury cabin in the woods for a weekend getaway to die for in this chilling locked-room thriller.

What could be more restful than a weekend getaway with family and friends? An isolated luxury cabin in the woods, spectacular views, a hot tub and a personal chef. Hannah’s generous brother found the listing online. The reviews are stellar. It’ll be three couples on this trip with good food, good company and lots of R&R.

But the dreamy weekend is about to turn into a nightmare.

A deadly storm is brewing. The rental host seems just a little too present. The personal chef reveals that their beautiful house has a spine-tingling history. And the friends have their own complicated past, with secrets that run blood deep.

How well does Hannah know her brother, her own husband? Can she trust her best friend? Meanwhile, someone is determined to ruin the weekend, looking to exact a payback for deeds long buried. Who is the stranger among them?

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list.

Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying.

Forty years after publication, The Exorcist remains an unforgettable experience that will continue to shock and frighten a new generation of readers.

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Developing video games—hero’s journey or fool’s errand?

The creative and technical logistics that go into building today’s hottest games can be more harrowing and complex than the games themselves, often seeming like an endless maze or a bottomless abyss.

In Blood, Sweat, and Pixels, Jason Schreier takes readers on a fascinating odyssey behind the scenes of video game development, where the creator may be a team of 600 overworked underdogs or a solitary geek genius.

Exploring the artistic challenges, technical impossibilities, marketplace demands, and Donkey Kong-sized monkey wrenches thrown into the works by corporate, Blood, Sweat, and Pixels reveals how bringing any game to completion is more than Sisyphean—it’s nothing short of miraculous.

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Anders and Dalia have escaped and now know who the real enemy is. Their only chance to stop them is to venture into the depths of space that can steal a man’s soul. And sanity. They soon learn that there are more players involved and none of them are likely to care if they succeed or fail.

Can they find a weapon that can defeat the Throne or will they fall to the raiders from the dark reaches of space?

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Jake Henderson and I spent some long, hot days together, stealing kisses behind his dad’s auto shop. But the summer ended, and he broke my heart–I packed up the pieces and left town, vowing he’d never hurt me again.

When I come home for the holidays twelve years later and get paired up with Jake on a local Christmas event, I feel like the universe is pranking me. I might be the youngest female ad executive in my company, but he makes me feel like the shy, awkward girl I used to be. It takes all my newfound bravado to act like his rejection meant nothing.

But spending time with Jake brings out unexpected feelings, ones that pull on my heart. He’s kind to his mother, helps the town bring Santa to life, and makes me breathless on the hood of his restored muscle car.

I have a life to get back to, one where Jake is just a memory. But I can’t ignore this unexpected gift.

I wasn’t looking for love this Christmas, but it looks like it found me.

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"When I’d ditched my cheating husband and stagnant career in the San Francisco PD to open a private investigation agency in Ireland, I hadn’t envisioned ‘purveyor of butt bleach’ being part of my job description."

When ex-cop-turned-P.I. Maggie Doyle scores a lucrative undercover job at the makeup counter at a fashionable Galway department store, she expects discounted lipstick and an easy paycheck.

She should know better.

After an altercation with a customer leads to a dead body in Maggie’s bathtub, she realizes there’s more to the department store case than missing cash. Can she catch the killer before the holidays? Or will the festive season end in an explosion of tinsel and turmoil?

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