Pixel of Ink

Growing up with an overbearing father and then her brother inherits everything she’s worked her whole life to build. Now she’s living in her grandmother’s dilapidated house in the middle of nowhere Canada, jobless, and dealing with the most annoyingly sexy contractor on the planet. Exactly when did her life become an anti-Hallmark movie?

Cooper Merrick learned the hard way that love is definitely not worth the risk. He’s happy running the family contracting business alongside his well-meaning but overly-opinionated brothers…happy enough until polished and perfect Emily enters his world. Nothing prepared him for the ways she turns his life upside down and reaches the parts of himself he’s closed off from the world.

But when he finally gets up the nerve to ask Emily out, she says her next date will need to come with a written contract and some very particular ground rules. Yeah, it sounds crazy, but why does he find himself wanting to sign on the dotted line?

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The acclaimed multimillion-copy bestseller, This Is Going to Hurt is Adam Kay’s equally "blisteringly funny" (Boston Globe) and “heartbreaking” (New Yorker) secret diaries of his years as a young doctor.

Welcome to 97-hour weeks. Welcome to life and death decisions. Welcome to a constant tsunami of bodily fluids. Welcome to earning less than the hospital parking meter. Wave goodbye to your friends and relationships. Welcome to the life of a first-year doctor.

Scribbled in secret after endless days, sleepless nights, and missed weekends, comedian and former medical resident Adam Kay’s This Is Going to Hurt provides a no-holds-barred account of his time on the front lines of medicine.

Hilarious, horrifying, and heartbreaking by turns, this is everything you wanted to know—and more than a few things you didn’t—about life on and off the hospital ward.

And yes, it may leave a scar…

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The Arthur G. Dozier Boys School was a well-guarded secret in Florida for over a century, until reports of cruelty, abuse, and “mysterious” deaths shut the institution down in 2011. Established in 1900, the juvenile reform school accepted children as young as six years of age for crimes as harmless as truancy or trespassing. The boys sent there, many of whom were Black, were subject to brutal abuse, routinely hired out to local farmers by the school’s management as indentured labor, and died either at the school or attempting to escape its brutal conditions.

In the wake of the school’s shutdown, Erin Kimmerle, a leading forensic anthropologist, stepped in to locate the school’s graveyard to determine the number of graves and who was buried there, thus beginning the process of reuniting the boys with their families through forensic and DNA testing. The school’s poorly kept accounting suggested some 31 boys were buried in unmarked graves on the school’s property. The real number was at least twice that. Kimmerle’s work did not go unnoticed; residents and local law enforcement threatened and harassed her team in their eagerness to control the truth she was uncovering.

We Carry Their Bones is a detailed account of Jim Crow America and an indictment of the reform school system as we know it. It’s also a fascinating dive into the science of forensic anthropology and an important retelling of the extraordinary efforts taken to bring these lost children home to their families.

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The latest American sensation to grace London’s ballrooms, Meredith Rose Remington has beauty, wit—and a shocking secret.

At her aunt’s insistence, Meredith is posing as an oil heiress, but she is utterly destitute. In truth, Meredith would rather spend her time writing than trying to snag a wealthy husband.Yet the stranger who flirts so outrageously with her in Hamilton’s Book Shoppe surpasses even the heroes of her vivid imagination…

Phillip Sinclair, the Earl of Waverly, has seen ambitious heiresses come and go. Only the enchanting Meredith could make him curb his reckless ways and settle down. But jealous rivals and meddling gossips are far from the only obstacles that must be overcome if love is to secure a happy ending…

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A child who does not know her name…

In 1903 fishermen find a wrecked boat containing a woman, who has been badly beaten, and a young girl. An ambulance is sent for, and the two survivors are taken to All Hallows, the imposing asylum, hidden deep on Dartmoor. The woman remains in a coma, but the little girl, Harriet, awakens and is taken to an attic room, far away from the noise of the asylum, and is put in the care of Nurse Emma Everdeen.

Two motherless boys banished to boarding school…

In 1993, All Hallows is now a boarding school. Following his mother’s death and his father’s hasty remarriage, Lewis Tyler is banished to Dartmoor, stripped of his fashionable clothes, shorn of his long hair, and left feeling more alone than ever. There he meets Isak, another lost soul, and whilst refurbishment of the dormitories is taking place, the boys are marooned up in the attic, in an old wing of the school.

Cries and calls from the past that can no longer be ignored…

All Hallows is a building full of memories, whispers, cries from the past. As Lewis and Isak learn more about the fate of Harriet, and Nurse Emma’s desperate fight to keep the little girl safe, it soon becomes clear there are ghosts who are still restless.

Are they ghosts the boys hear at night in the room above, are they the unquiet souls from the asylum still caught between the walls? And can Lewis and Isak bring peace to All Hallows before the past breaks them first…

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From the bestselling author of Sea of Memories comes the story of two remarkable women, generations apart, who must use adversity to their advantage and find the resilience deep within.

Heartbroken and hoping for a new start, Abi Howes takes a summer job in rural France at the Château Bellevue. The old château echoes with voices from the past, and soon Abi finds herself drawn to one remarkable woman’s story, a story that could change the course of her summer—and her life.

In 1938, Eliane Martin tends beehives in the garden of the beautiful Château Bellevue. In its shadow she meets Mathieu Dubosq and falls in love for the first time, daring to hope that a happy future awaits. But France’s eastern border is darkening under the clouds of war, and history has other plans for Eliane…

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It should be the happiest day of Goldy’s life…

The Colorado caterer is about to tie the knot with the man of her dreams, homicide detective Tom Schultz. But minutes before the ceremony is to begin, Tom phones with an urgent message: The wedding is off, and the reason is murder!

Tom was on his way to the church when he stopped to pick up Father Olson—and found the rector shot and dying. Yet by the time Tom’s fellow officers arrive at the crime scene, Tom has disappeared. Has the groom been abducted by the killer? Or has he gotten cold feet and walked out of Goldy’s life?

For better or worse, Goldy needs to know the truth. So she puts her exquisitely decorated wedding cake on ice and begins to search for clues. Her fiancé’s life—and her future happiness—will lead her to an unsavory killer whose unholy passion make Goldy a widow before she’s a wife.

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An insider’s view of science reveals why many scientific results cannot be relied upon – and how the system can be reformed.

Science is how we understand the world. Yet failures in peer review and mistakes in statistics have rendered a shocking number of scientific studies useless – or, worse, badly misleading. Such errors have distorted our knowledge in fields as wide-ranging as medicine, physics, nutrition, education, genetics, economics, and the search for extraterrestrial life. As Science Fictions makes clear, the current system of research funding and publication not only fails to safeguard us from blunders but actively encourages bad science – with sometimes deadly consequences.

Yet Science Fictions is far from a counsel of despair. Rather, it’s a defense of the scientific method against the pressures and perverse incentives that lead scientists to bend the rules. By illustrating the many ways that scientists go wrong, Ritchie gives us the knowledge we need to spot dubious research and points the way to reforms that could make science trustworthy once again.

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Holy hot flashes! This blue-eyed dream in a pair of Wranglers is the best-looking cowboy I’ve ever seen. Thankfully, I’m immune to his charms.

After nearly 25 years as a trophy wife, my cheating ex dumped me for a younger woman.

Now I’m starting over in a new place with a car, a piddly amount if money in the bank, and an exotic cat. Oh, and a ten-foot pole to keep between me and any man, even the good-looking, boot-wearing Texan who swoops in to help me.

Yes, he makes me remember what it’s like to feel something. But my heart is too brittle for romance.

Every sassy comment I fling his way, he serves right back until I’m not sure if we’re arguing or flirting.

With him, I feel more alive than I have in years, but starting over means standing on my own two feet, not being swept off them.

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Vicki Meyers is alone, and that’s how she likes it. If life has taught her anything, it’s that relationships are problematic, and people can’t be trusted. So, when she escapes her troubled past by moving to Montreal, she only wants to find a job. Not a soulmate, even if he is cute, funny, and, best of all, housetrained.

Opening her heart to a rescue dog named Gunner cracks her armor, and before she knows it, she’s friends with Daniel, another lost soul. However, when Vicki finds out Daniel is leaving the country in six weeks, the built-in expiration date makes moving their relationship beyond friendship a safe bet. But as time winds down, things heat up. Was falling for Daniel a mistake or the smartest risk she’s ever taken?

Set in Montreal in the early 2000s, Six Weeks With You draws upon the timeless themes of hope and possibility, along with a sense of nostalgia for a time when everyone still had landlines.

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Hale Seton is tired of losing. Determined to get her struggling sports management agency off the ground, the disgraced ex-snowboard champion is in Key West, Florida trying to land a deal with local billionaire and boxing afficionado, Ricky Dominica.

But before she can sign on the dotted line, a homeless man turns up dead—on Ricky’s yacht.

When the police finger Ricky’s son for the murder, Hale leaps at the chance to help uncover the truth. When she discovers the victim is the father of an underprivileged local fighter, it isn’t long before she’s entangled in a complex web of corruption and greed.

As Hale is pulled into the search—along with a dirty cop, jealous siblings, and a back-stabbing ex-girlfriend—she finds herself caught between the killer and the truth.

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Lance Blakeman is an up-and-coming literary agent with a chance to represent the biggest horror writer since Stephen King. Unfortunately, the client doesn’t want to work with a bachelor. Lance needs a fiancée—fast.

Lainey Fredrickson is a struggling artist making ends meet by waitressing at a local diner. Or, she had been, until pretty boy Lance got her fired for accidentally spilling a beer on him. The way he carried on, you’d think she had deliberately doused him with radioactive waste. Now, she has exactly $4.23 to her name—not enough for an iced latte, let alone rent.

When Lance offers Lainey cash to pose as his fiancée, she can’t afford to say no, even if it means spending a week in a cramped RV with him. But can they fool the client without fooling themselves? There’s a fine line between love and hate. And with kisses this sweet, the line is bound to get blurred…

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